{"version":"1.0","provider_name":"Revista Al Comp\u00e0s","provider_url":"https:\/\/alcompasrevista.com\/va","author_name":"Redacci\u00f3n","author_url":"https:\/\/alcompasrevista.com\/va\/archivos\/author\/vhj_webmaster","title":"La Uni\u00f3 Musical d'Alaqu\u00e0s recupera una obra perduda de Salvador Giner - Revista Al Comp\u00e0s","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"5epBUwMAY6\"><a href=\"https:\/\/alcompasrevista.com\/va\/archivos\/19197\">La Uni\u00f3 Musical d&#8217;Alaqu\u00e0s recupera una obra perduda de Salvador Giner<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/alcompasrevista.com\/va\/archivos\/19197\/embed#?secret=5epBUwMAY6\" width=\"600\" height=\"338\" title=\"&#8220;La Uni\u00f3 Musical d&#8217;Alaqu\u00e0s recupera una obra perduda de Salvador Giner&#8221; &#8212; Revista Al Comp\u00e0s\" data-secret=\"5epBUwMAY6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/alcompasrevista.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/alcompasrevista.com\/wp-content\/uploads\/2024\/02\/Portada-Giner-scaled.jpg","thumbnail_width":2560,"thumbnail_height":1864,"description":"Des que en 2010 Vicente Galbis i Hilari Garc\u00eda van elaborar el cat\u00e0leg d'obres completes de Salvador Giner, patriarca de la m\u00fasica valenciana del segle XIX, diversos s\u00f3n els descobriments de nous materials d'algunes obres les partitures de les quals no s'havien aconseguit localitzar."}